Eric Kamau Gravatt © Andrea Canter

© Andrea Canter

Former Weather Report drummer Eric Kamau Gravatt was already a legend in the 70s, and has enjoyed a resurgence of his career over the past 15 years, particularly as leader of Source Code. Performing on the Jazz at Studio Z series on April 15 (7 pm), Gravatt’s ensemble includes veterans Dean Brewington on saxophone, Dean Magraw on guitar, and Ron Evaniuk on bass, along with rising star Solomon Parham on trumpet. A pre-concert podcast recording session takes place at 6 pm.

Eric Kamau Gravatt © Andrea Canter

An alum of the bands of McCoy Tyner, Joe Henderson, Freddie Hubbard and Blue Mitchell as well as Weather Report, Eric Kamau Gravatt essentially has had two careers in jazz with a couple decades of separation. Like John Coltrane and long-time associate McCoy Tyner, he is a native of Philadelphia. Originally a conga player, Gravatt taught percussion and music in Philadelphia and Washington, DC in the 1960s. Miles Davis invited him to join his band, but Gravatt turned down the Prince of Darkness to follow Wayne Shorter into Weather Report, with whom he toured and recorded. But Gravatt’s sound was not exactly what WR founder Joe Zawinul had in mind, and after a while Gravatt was replaced in favor of a more “bottom heavy” drummer. He moved on to the fusion band Natural Life (with Bobby Peterson and Bob Rockwell), a move that brought him to the Twin Cities some 30 years ago. Demands of family and a desire for financial stability took Gravatt out of fulltime music and into fulltime work as a guard at the Minnesota Correctional Facility in Lino Lakes. “I had kids, and Corrections were the only thing being offered that paid that good, and they had (benefits) you couldn’t get in jazz,” Gravatt told the St. Paul Pioneer Press. Only after retiring from Lino Lakes did Gravatt return to his calling, touring again with McCoy Tyner, performing with his band, Source Code, and engaging in some more experimental improvisations with metro area musicians including Adam Linz, Brandon Wozniak, and, recently, Dean Magraw, with whom he released Fire on the Nile.

Source Code (from software lingo for a collection of instructions to generate the programs that run on our computers, PDAs, cell-phones and toasters) tackles the works of such titans as Coltrane and Jackie McLean—and Gravatt’s band has the power to handle the repertoire.

Dean Brewington © Andrea Canter

Dean Brewington has enjoyed a multi-faceted career not only as a jazz saxophonist but also as a model and actor. Born Thomas Norwood Brewington in North Carolina, he grew up in New York City (The Bronx) where he heard many of the jazz masters. Dean got his first saxophone at age 9 and initially taught himself to play by imitating the artists he heard on the radio. In junior high, he collaborated with friends to form a jazz band, and the 8th graders won a city high school band competition.  Later serving in the Army, Dean played in a military band where he eventually met another future Minnesota jazzman, Irv Williams. Dean relocated to the Twin Cities in 1962.  His resume’ includes performing with Ernestine Anderson, Bobby Lyle, Arthur Prysock, Karrin Allyson and Roy Haynes. He also played “King Curtis in the national touring production of Buddy – The Buddy Holly Story. He’s performed throughout the Twin Cities, appearing with a long list of musicians including vocalist Lila Ammons, and trio mates Peter Susag and John Penny.

Solomon Parham © Andrea Canter

Trumpeter and educator Solomon Parham came to the Twin Cities from Detroit where he taught in public school and performed at Baker’s Keyboard Lounge. He’s also performed with Delfeayo Marsalis’ Jazz for Kids, ” Jazz and Jasmine Meets the Jazz Band,” Wess Anderson, and at  the Twin Cities Jazz Festival, Artists Quarter, Dakota, Bedlam and Jazz Central. Currently, Solomon teaches in the St. Paul Schools and directs jazz ensembles at Walker West Music Academy, as well as leading his own quartet.

Dean Magraw © Andrea Canter

Dean Magraw is one of the Twin Cities’ most eclectic musicians, with a thirty-year career spanning genres and cultures, from blues to classical to folk and jazz, from Japanese and Indian to Celtic and middle American. Dean leads the acclaimed trio Red Planet, and has collaborated with many local artists at the Artists Quarter, Black Dog, Studio Z, Vieux Carré, Jazz Central and more, including Brandon Wozniak, Bryan Nichols, Billy Peterson, Peter Schimke, Kenny Horst, Butch Thompson, Steven Hobert and Eric Gravatt.  He’s released a series of recordings spanning his musical universe, including a duo with tabla master Marcus Wise, How the Light Gets In and the new Red Planet With Bill Carrothers (to be officially released next week). After first playing with Eric Gravatt as a sub in Source Code, Dean has become a regular member of the band, and also plays in a duo with Gravatt, which led to the release of their Fire on the Nile in 2014. He currently performs in duos with pianists Steven Hobert and Butch Thompson.

Ron Evaniuk © Andrea Canter

Bassist with the Americana Classic Jazz Orchestra (devoted to the big band music of the 20s and 30s), JazzMN Orchestra,  and leader of his own quartet, Ron Evaniuk recorded with Twin Cities trumpet legend Gene Adams and has played with George Avaloz, in addition to his long-standing work with Source Code. He recently performed with the young lions of Rodney Ruckus’s ensemble, The Ruckus.

 

Studio Z is located at 275 E. 4th Street in St Paul’s Lowertown Arts District. Concert at 7 pm, pre-concert Q & A and podcast recording at 6 pm. Tickets $10 in advance at www.studiozstpaul.com  or $15 at the door. Final concert of the series for this season on May 10 featuring the Zacc Harris Group.