Outstanding: Eyran Katsenelenbogen ‘s New Solo Release, “Outstandards”
More than a decade ago, I had the pleasure of reviewing a solo recording by Israeli, Boston-based pianist Eyran...
Coltrane ’58: The Prestige Recordings
Just after his only recording for Blue Note, and before moving to Atlantic to make his Giant Steps, John...
Siereveld’s ‘Walk the Walk’ on Shifting Paradigm Records
New York based trumpeter Eric Siereveld embraces and embodies the classic B3 organ jazz sound on his 2018 release...
Thomas Nordlund’s “Miles Left Behind” Deserves Eager Ears
Thomas Nordlund’s new album “Miles Left Behind” explores darkness, melody, and vibe.
Lynne Arriale Celebrates New Recording in the Dunsmore Room, May 15
© Andrea Canter, Senior Editor Emeritus “The melody is what creates a particular energy and feeling in the listener...
Album Review: Fire Bell, INCENDIOS
Sometimes swinging, and sometimes twisting in a multi-meter tangle, Fire Bell’s new album INCENDIOS is all personality.
“Full Circle”: Debbie Duncan Live at the Dakota, March 30-31
© Andrea Canter In 1993, when the Dakota was in its first incarnation at Bandana Square in St Paul,...
Koplant No Delivers With Their Latest Release “Elker”
I am on my fourth time listening through Koplant No’s new album Elker. I’m loving every minute of it....
Brilliant Conversations: “After the Fall”, Keith Jarrett Trio (ECM, 2018)
The headline above for the latest release from the “Standards Trio”—Keith Jarrett (piano), Gary Peacock (double bass) and...
New Recordings
The holidays have long since come and gone. Eagerly anticipated tropical getaways have been actualized. After a brief...
“Confluence”: Laura Caviani CD Release in the Dunsmore Room, December 6
© Andrea Canter Less than two months following the release of her album of Monk arrangements (Mysterious Thelonious),...
The Jazzy Side of the 60th Grammy Award Nominations
© Andrea Canter And the nominees are….. lots of jazz and jazz artists! The 60th Grammy Awards nominations...
New Recordings: Brian Blade, Keyon Harrold, Gregory Porter, Lizz Wright
Brian Blade and the Fellowship Band: Body and Shadow (Blue Note) If you’ve read my last few review...
Pavel Jany Celebrates “Acoustic Condition” at the Black Dog, October 20
© Andrea Canter A prolific performer, composer and bandleader, guitarist Pavel Jany takes time out from his multiple Brazilian...
Blue Note All-Stars: “Our Point Of View” (Blue Note Records, 2017)
If ever there was a jazz label more entitled to proclaim some of their stable “All-Stars,” Blue Note Records...
Hiromi/Edmar Castaneda, “Live in Montreal” (Telarc, 2017)
If you think about it, the harp is just a piano with its guts strewn about. Or, to be...
“Mysterious Thelonious”: Laura Caviani Marks Monk’s Centennial With New Recording and Concerts with Karrin Allyson, October 13-14
© Andrea Canter For many years, Twin Cities pianist Laura Caviani marked the October birthday of one of her...
Playing With “Joyfire”: Ted Olsen Quartet Celebrates CD Release at the Icehouse, September 20
© Andrea Canter It might be a contrived word, but “Joyfire” seems an apt description of the compositions and...
Kermit Ruffins and Irvin Mayfield: “A Beautiful World” (Basin Street, 2017)
There are but a scant few variables you can count on in this woeful world: Frozen pizza is...
Dee Dee Bridgewater: “Memphis…Yes I’m Ready” (Okeh, 2017)
Since the days of Billie and Ella, it is nearly impossible to find a jazz singer who wasn’t a...