Saturday Night Jazz at kj's hideaway

Sam Miltich and Charmin Michelle Quartet in the Dunsmore Room, March 14

TCJF Twin Cities
Charmin MIchelle and Sam Miltich © Andrea Canter

© Andrea Canter

On March 14, the intimate Dunsmore Room at Crooners Lounge welcomes the dazzling guitar-vocal duo of Sam Miltich and Charmin Michelle, with the support of bassist Chris Bates and drummer Jay Epstein. Music begins at 7 pm.

Sam Miltich © Andrea Canter

Music, like the surrounding forests of Northern Minnesota, was just a normal part of family life for young Sam Miltich. Dad Matthew Miltich taught English at the area community college and played electric bass. At age 7, Sam discovered an Erroll Garner recording in the family collection and commandeered it, declaring Garner to be a “genius.” Soon he was learning to play piano, but a fire that destroyed the family home forced him to find another outlet. At age thirteen he picked up the guitar and taught himself to play. His life-defining moment came at fifteen, watching the Woody Allen film Sweet and Lowdown about the life and music of Django Reinhardt. The music for him was magic, “the fire and passion, the East European country sound….Everything I loved rolled into one,” he noted in an interview on National Public Radio. How can you learn more about the gypsy jazz style of Django living 20 miles from the nearest town in rural Minnesota? Sam ordered instructional videos by Paul Meiling and began intense study on his own, practicing eight hours per day. Seeking a playing partner, he nudged his father to switch to upright bass. And seeking more in-depth instruction, he convinced his father to drive cross country for a lesson with Meiling, who invited the teenager to sit in with the famed Hot Club of San Francisco.

Sam founded the Clearwater Hot Club in 2005 and Big Dipper Jazz Band in 2010. In addition to touring and recording with the Hot Club of San Francisco, Sam played at the Lincoln Center in New York City in a concert honoring Django with international musicians; and has shared the stage with David Grisman, the Ferre’ Brothers, Angelo DeBarre, Dorado Schmitt, Fapy Lafertin, Ludovic Beier, Samson Schmitt, and Ken Peplowski. He’s also recorded with Connie Evingson, Patrick Harison, and Dave Karr in addition to five releases with the Clearwater Hot Club. Sam has been a featured performer at recent Twin Cities Jazz Festivals.

Charmin Michelle © Andrea Canter

Charmin Michelle sings with “taste and understatement, swing and savoir faire, grace and grooves, intimacy and panache” (TC Music Net).  Born in Birmingham, AL,  Charmin moved to Minnesota as a young child. Although the Land of 10,000 Lakes has been home ever since, her experiences have taken her around the world, with internationally known pianists Mulgrew Miller and Kirk Lightsey in 1997, at jazz festivals throughout Europe and, most recently, on tours in  Spain and France. She had a long-standing Monday/Wednesday night gig at Fireside Pizza with pianist/accordionist Denny Malmberg through spring 2015, and Sunday nights often find her at the Cinema Ballroom with the Jerry O’Hagan Orchestra. She has performed in duo with guitarist Joel Shapira for many years (Charmin & Shapira) and more recently they have expanded to “Charmin & Shapira and Friends,” gigging on stages at the Dakota, Vieux Carre’ and more. On her three solo recordings—Your Eyes (Zimboy, 1994), Destination Moon (CM, 1998), and Hot (CM, 2001), she covered tunes of Billie Holiday, the Great American Songbook, blues and bossa. On the big stage of Orchestra Hall, Charmin joined Delfeayo Marsalis in an all-star tribute to Louis Armstrong a few years ago, and appeared at the French Quarter Jazz Festival in New Orleans in 2011, where she sang with the Minneapolis South High School jazz band and sat in with Delfeayo Marsalis and Irvin Mayfield. Charmin joined Pippi Ardennia in winter 2014 at the Capri Theater in a revue dubbed “Girl Talk.”

Chris Bates © Andrea Canter

Bassist Chris Bates is one of the Twin Cities’ busiest musicians, on stages with the Atlantis Quartet, Red Planet, Framework, How Birds Work, Tall Tales, Bill Simenson Orchestra, Adam Meckler Orchestra, Fall of the House of Usher, and many other cutting edge ensembles. In the past few years has stepped out front as leader of the Good Vibes Trio and Red Five, both of which released debut albums in the past few years. He recently revived another vibes trio, Low Blows, launched the Inventions and Dimensions Trio with Joe Strachan and Ted Olsen, and curates a monthly improvisation series at Jazz Central, one Wednesday night per month. Chris studied at the University of Wisconsin–Eau Claire and later with Anthony Cox, was an original member of the Motion Poets, and a 1999 McKnight Composer Fellow. He was one of four jazz artists to be awarded a composition commission from Zeitgeist, which was premiered at the 2014 Twin Cities Jazz Festival.

Jay Epstein © Andrea Canter

Of trapset master Jay Epstein, Cadence Magazine’s David Lewis noted that “his dazzling cymbal and snare work extends the lineage of Tony Williams and Jack DeJohnette.” Over his career, Jay has played on cruise ships and performed with Barney Kessel, Roseanna Vitro, Manfredo Fest, Sheila Jordan, Terry Gibbs, Vinny Golia, JoAnne Brackeen, Ernie Watts, Karrin Allyson, Kenny Werner, Howard Levy, Toots Thielemans, Avashai Cohen, Sarah Vaughan, Bill Carrothers and Giacomo Aula. For many years, Epstein has been one-third of Red Planet with Dean Magraw and Chris Bates, and of Framework with Bates and Chris Olson. These days, in addition to Framework and Red Planet, Jay keeps busy with Klezmerica, Firebell, Dean Granros’ Tall Tales, a duo with guitarist John Penny, and other ensembles, as well as supporting area vocalists, touring with Five by Design, and handling drums for visiting artists like Bob Dorough. He released his own acclaimed recording Long Ago on Igmod Records, has recorded with Bill Carrothers and Anthony Cox (Easy Company), and appears on each of Gordon Johnson’s Trios, among a long list of sideman credits.

It’s rare to have a performance in the Dunsmore Room without a piano, but in the case of Sam, Charmin and company, you won’t miss the Steinway!

 

The Dunsmore Room at Crooners Lounge is located at 6161 Highway 65 NE (Central Av) in Fridley, just north of I-694 and about 20 minutes north of downtown Minneapolis. Tickets $10 or dinner show options starting at $35. Reservations at www.croonersloungemn.com